The Canons of Culture (NEW CONCEPTS)

[Mick Harper]

But to return to Humboldt's Gift. The book really took off when the protagonist forsook Humboldt and described a day in Chicago dealing with a gambling debt. Breathtakingly interesting, sociologically authentic. For me, anyway.

But here's the thing. Me and Saul Bellow have more in common when it comes to the literary life than we do when it comes to the lowlife. He can beat the pants off me re the former but I could follow him every step of the way without breaking sweat. And dull it was.

But I'm pretty sure I can shade him on the latter. I've spent so many years working in so many casinos I've acquired a decent grounding in the subworld. I would think it a fair bet that I have acquired more knowledge about, say, the Mob than he has just because it happens to be a minor hobby of mine. Though when it comes to films, we'd prolly be about square.

In fact I'll give you a Day in the Life...

[Mick Harper]

Like all croupiers, we were at a loss about what to do when the tables closed at 4 am. As they have to by law in every British casino. Like all workers we were up for some fun when work was over for the day and there's not much fun to be had at 4 am even for Playboy croupiers spilling out onto Park Lane.

"Who wants to come to my drum for some cards, it's just round the corner," said someone. We all did. We piled into a basement in one of those posh streets south of Hyde Park and started playing three-card brag. A much less exacting game than poker and infinitely more exciting to play. We all steadily got ripped on a combination of drink, drugs and doing our brains losing our wages. Things got pretty raucous.

"Oy," I said, looking out the window on hearing the milk float trundle past, "There's a policeman looking down at us."
"Oh, don't worry about him. He's guarding Lord Carrington next door. They're worried about the IRA blowing him up now he's Foreign Secretary. We slip 'em a bevvy from time to time."

[Pete Jones]

The Andelope, an excerpt from A Reader's Manifesto by B.R. Myers (2002).
(subtitle: an attack on the growing pretentiousness in American literary prose)

(Mick, since you can't open images in your email, you must tolerate some large images here.)

Check out this critique of "and." I only know of two people who have ever bothered making one.

NOTE: the "McCarthy" referred to in the first pic is Cormac McCarthy, the American always at the top of the Nobel Prize odds at Ladbrokes