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Mick Harper
Site Admin
In: London
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I'd have to check with Wiley but I think that's very common by the standard of Anglo-Saxon coins, though two hoards is pretty unusual to account for virtually all of them. However, in general, there is no dispute that Lindisfarne has always been well populated. Irrespective of whether (as we say) it's a Megalithically-constructed tidal island, it is a reasonable stretch of northern agricultural land and is certain to produce archaeology from all ages. My surprise arose from the fact that I would be startled if one season of digging would produce this array of goods from a reasonable stretch of northern agricultural land.
There is nothing there however to suggest the presence of a major monastery, the seat of a bishopric. And this is always the problem: the more they dig, the more glaring is this abscess. A major monastery on a tiny islet like Lindisfarne ought to dominate the archaeology not betray its presence by being serially unfindable.
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Mick Harper
Site Admin
In: London
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and the find was made by the mother of one of the team members, who was visiting the site for a day to celebrate her birthday
'For her birthday' just may be what we call 'overelaborate provenance syndrome' |
I ought to explain this as it is a bit technical. And please remember I am not saying this is what happened on this occasion, I'm just using it as a for-instance. When you are inventing a fake provenance certain things have to be inserted which are not usually found in authentic provenances.
Let's say you want to put a fake find in a normal archaeological dig. First of all, you need to insulate yourself from exposure so it would be as well to have someone else find it. But that is not enough, you'll still get professional obloquy (and maybe a prison sentence) if that person has a close connection to you. But what if the find is genuine but from a different era? In other words, a gaming piece that would be routine from the fourteenth century but gets you the world's attention if from the eighth century. What happens if this is exposed?
"Ah well, it was my mum and she's not archaeologically trained so she probably dug it out from the wrong strata. Criticise us all you want for not supervising her properly but, hey, otherwise we didn't do anything wrong." Except for one thing. What was your mum doing there on the very day you found an object that got you global write-ups? "... er ... it was her birthday, I was giving her a treat." [Or my birthday, the wording leaves both possibilities open.] Oh, right, fair enough.
Nobody stops to think what kind of birthday treat is that? Nobody wonders why a middle aged woman is crossing the country to stay with her daughter who is away on her summer dig because her birthday happens to fall in the middle of it. Nobody would think to check whether it was her birthday. And nobody asks, "Why mention it in the first place?"
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Hatty
Site Admin
In: Berkshire
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Chad wrote: | That Aethelred I coin must be pretty rare. Only 152 others are known to exist (from two hoards and the odd stray) yet they mention without any sense of excitement. |
In September 2018 Lindisfarne DigVentures found an Aethelred coin which according to David Petts' interpretation is a 9th century coin depicting a less famous Aethelred about whom almost nothing is known
The coin we have found was issued by the Northumbrian king, Aethelred II, who ruled in the mid-9th century. He is not to be confused with the more famous Aethelred II (better known as ‘the Unready’). Very little is known about our Northumbrian Aethelred, there are very few records that give us an insight into the history of 9th century Northumbria, and those are late in date. It seems though that he probably succeeded Eanred as king and was most active c. 854-62. He seems to have been deposed as king by Raedwulf, who himself died fighting against the Vikings. The removal of Raedwulf allowed Aethelred to return to power, but he was killed not many years later. |
The archaeological report for the 2019 dig mentions finding 'Anglo-Saxon coins' without any further information about quantity or type.
The Aethelred coin from the previous dig in 2018 is the only coin described but Prof Petts is a bit hazy about actual production. He's obliged to rely on the Ango-Saxon Chronicle and manuscript accounts from Durham's archive for info on Eanred (only one mention in the ASC)
This coin is of a type known as a styca, a small copper alloy coin containing a little silver. They were first produced by Eanred, and seem to have been produced in large numbers in York. The men responsible for minting the coins were recorded on the coins; in this case, our coin carries the name Fordred, who was probably based in York. |
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Wile E. Coyote
In: Arizona
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So we now have Lindisfarne Aethelred I unearthed. In terms of conventional christian chronology, that will be interpreted as a coin, issued after 865 when he became king (the starting year of the Great Heathen Invasion) and before 871 when he died. I suspect there is not much excitement as your profs are wondering why a coin of a King of Wessex has turned up in an area where it wouldn't be expected. Not much known of the moneyer who it is thought was based in Canterbury. Plenty of scope for orthodox reasonable inference, these devout frugal monks were actually trading with areas far wider than first thought.....err, during an invasion.
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Mick Harper
Site Admin
In: London
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Incunabula @incunabula -- 100% - all 16 Dead Sea Scrolls fragments - held by @museumofBible have now been conclusively shown to be modern fakes. This likely means that all the fragments held in the Schøyen Collection are also faked. This is a gigantic multimillion dollar fraud. |
You’ll be wondering what a Twitter exchange about The Dead Sea Scrolls is doing on a thread devoted to our very wonderful book about British medieval forgeries but all will be made clear in a trice or two
Dr Francis Young -- Biblical archaeology seems depressingly predictable; so many 'discoveries' in the field turn out to be fake. The real tragedy is then that public confidence in the field is so damaged that excessive suspicion overtakes everything, and decent scholars keep well clear |
This got 179 hearts which shows how popular both Dr Young and his sentiments are. One of them was presumably from this person
michael147 -- Reason is I think that Biblical archeology is mainly an ideology. |
but not necessarily this person
Harriet Vered -- Quite so. Much like all those "Anglo-Saxon" fakes in the British Library. The last of which we just shelled out nine million pounds for so let's not be too smug when it comes to our American fundamentalist cousins. |
Or that person, as various people on Twitter say...
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Mick Harper
Site Admin
In: London
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Dr Francis Young -- What reason do you have to think the St Cuthbert Gospel or any other Anglo-Saxon manuscript in the BL is fake? |
Oh dear, it’s shooting fish in a barrel time. Though Dr Young is confused about who is the fish
Harriet Vered -- T'other way round, surely. There isn't a shred of evidence for its authenticity. You might take a look sometime, we did. People testifying to its good character is not evidence, unless history is a faith-based activity. Is it? Wouldn't you prefer to hold out for some evidence? |
But Dr Young is a dab hand (geddit?) and refuses to rise to the fly
Dr Francis Young -- Out of curiosity, what would you consider to be evidence? |
So Hatty gives a little twitch on the line
HarrietVered -- Me? What have I got to do with it? It is the rules of academic history that require either a secure provenance or a scientific dating test. We are both agreed Cuthbert’s Gospel has neither. |
Is he going to take the bait? Is Mick fatally mixing his fishing metaphors? You will have to wait till the next episode to find out.
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Mick Harper
Site Admin
In: London
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Dr Francis Young -- What about palaeography and internal evidence within a manuscript? What about art history? Virtually no 7th-century manuscript has an unbroken documented provenance, nor do historians expect this. We can't carbon-date everything, nor should we (and we don't need to)
Harriet Vered -- If it’s a fake the palaeography, internal evidence and art history will be impeccable. The provenance isn't unbroken, it's non-existent before 1790. I agree we can't carbon date everything but we might make an exception for the £9 million pride and joy of the nation. Yeah or nay?
Dr Francis Young -- But why wouldn't palaeographers or art historians be able to spot a fake? I'm a palaeographer (albeit specialising in a later period) and I can tell you it would be extremely difficult for a forger to get everything right; probably harder than forging a painting, even
Harriet Vered -- You mean like the Dead Sea Scrolls? Over and out.
Dr Francis Young -- The palaeographers and Biblical scholars raised suspicions about the 'Dead Sea scrolls' fragments that appeared in 2002 straight away! The article I tweeted was about the confirmation of their suspicions by carbon dating of the ink
Mick Harper: It is foolish trying to have the last word if it means selling the pass.
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Mick Harper
Site Admin
In: London
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The British Library has taken up the cudgels on behalf of our, and indeed their, beloved Cuthbert’s Gospel
Medieval Manuscripts @BLMedieval
You've probably guessed by now. This is the earliest European book with an original, intact binding. It was discovered in 1104 in St Cuthbert's coffin at Durham Cathedral. It weighs just 162 grams. |
The reason I bring you this routine piece of news is that, as far as I am aware, this is the first time the Twittersphere has expressed other than dutiful admiration. First a voice from Iceland
Freydis@FreydisUlfsdotr
I would have thought it was too dark to read in a coffin. |
I wonder whether his irreverent attitude will be quite so much to the fore when we come for his sagas. Meanwhile a young person joins in the jeering
purlsandpearls@purlsandpearls
He's a saint, I'm sure the glow from his halo would have enabled him to read. |
Someone who describes himself as a 'competitive futonier' (you may have seen him under the name Badibanga in the recent Europeans) adds to the merriment
c. a. hoffman @I_am_Badibanga
Was he finished with it? |
Enough already. As befits her name our next Twitterer steps up to the plate on behalf of Anglo-Saxondom’s most expensive artefact
aethelberga@aethelberga
That appears to be in incredibly good shape. |
Just a quick word on words. 'Incredibly' in this context means ‘very’ not ‘lacking in credibility'.
David Kenny@DavidKe95654156
Yes indeed and it is fantastic! |
Another word on words. 'Fantastic' means 'very good' not 'fantastic'.
zenobia@zenobia43839543
Could not believe I saw this and so much treasure at the blockbuster Anglo-Saxon show. So amazing. Truly a wonder. |
Sorry, more wordy explanations. ‘Could not believe’, 'blockbuster', ‘show’, ‘amazing’ and ‘wonder’ are terms of approval. Bonnie Shaljean is reduced to using punctuation to express her admiration and finishes the discussion nicely, if sombrely, on a topical point
Bonnie Shaljean @BonnieShaljean
OMG That. Is. Gorgeous. A much-needed bright spot in a truly horrible day. Thanks so much for posting this. |
Unless you count the Wicked Witch in the Wardrobe
Harriet Vered@HarrietVered
By the way, the book wasn't discovered in St Cuthbert's coffin in 1104, it was discovered in a library at Stoneyhurst College in 1794, next to a thorn from Jesus' crown of thorns. Always best to get these little details right! |
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Mick Harper
Site Admin
In: London
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Here's a bit of a weirdo, even by their standards
This is the so-called Victoria & Albert Crucifixion and was bought at the famous Soltikoff Sale of the Century in 1861. Or rather a year afterwards from a bloke that bought it at the auction. The V & A had its own people there so it's kinda surprising they used a middle man but never mind, let's hear what the V & A's official site says about it
This is one of the series of ivory plaques of the crucifixion produced in the second half of the ninth century, with certain unusual iconographic elements in common. The iconography of these plaques is perhaps derived from the cover of the Pericopes of Henry II in Munich, produced ca. 830-40, a work of the so-called 'Liuthard' ivory group, which takes its name from the scribe who worked on the manuscripts on which some of these ivories were attached. |
When they say 'perhaps derived from' they mean 'using a time travelling device to have a quick shufti'
The Pericopes of Henry II is a luxurious medieval illuminated manuscript made for Henry II, the last Ottonian Holy Roman Emperor, made c. 1002 – 1012 AD. The manuscript, which is lavishly illuminated, is a product of the Liuthar circle of illuminators, who were working in the Benedictine Abbey of Reichenau, which housed a scriptorium and artists' workshop that has a claim to having been the largest and artistically most influential in Europe during the late 10th and early 11th centuries. |
Can anyone throw any light on this before I make a thorough fool of myself by including it in the new book?
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Hatty
Site Admin
In: Berkshire
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Provenance of the Pericopes of Henry II is uncertain (various candidates have been proposed) but ownership points to Bamberg Cathedral who claims it was a present from Henry, king and then emperor, 'shortly before 1014'. Provenance of the precious objects on the book's cover is also uncertain.
The ivory plaque itself is dated c. 848, supposedly a product of the 'Reichenau School', aka the Carolingian, or Ottonian, Renaissance, on stylistic grounds, though the ivory carving (a crucifixion scene) is said to be unusual, both theologically and artistically.
Bamberg Cathedral is problematic. Its foundation date is 1004, completed by 1012 in time to get its mitts on the Pericopes, but the current cathedral is a thirteenth century foundation. Eleventh-century masonry must have been pretty rubbish as nothing remains of the earlier foundations (two, allegedly) and the "style of that obscure period is not easily ascertained".
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Wile E. Coyote
In: Arizona
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Funny thing, early Middle ages bugger all Monumental sculpture, but loads of Miniature sculptures of ivories.
Maybe there were just lots more tiny people in them days?
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Mick Harper
Site Admin
In: London
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That's a very good point, Wiley. Our position is that Classical sculpture is more or less entirely a product of the Grand Tour i.e. products of eighteenth century Italian stonemasons for Grand Tourists. So it may be that ivory miniatures were made for a previous incarnation of tourism, i.e. pilgrims, when the roads weren't as good and lugging big stuff home with you to impress the neighbours was a bit much.
But, with the statues, there really are a few genuine originals, though you wouldn't want them in your orangery -- they're disgusting, all black and unrecognisable and everything missing and what isn't missing defaced by being out in two thousand years of weather or two thousand years underground, or underwater. 'Darling, couldn't we put it in the shed, we've got Charles James Fox coming for tea.' There may be some genuine medieval ivory miniatures out there but I would think 99% of them were made by nineteenth century French ivory-masons.
International rings of counterfeit masons! I'm surprised they haven't organised themselves into a secret society or something. Though obviously we wouldn't know if they had.
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Ishmael
In: Toronto
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Mick Harper wrote: | Our position is that Classical sculpture is more or less entirely a product of the Grand Tour i.e. products of eighteenth century Italian stonemasons for Grand Tourists. |
Oh my god.
Stunning.
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Mick Harper
Site Admin
In: London
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Gotta reply from the V & A re the mismatch twixt ivory and manuscript (not to mention my own confusion) which I assume I can quote verbatim, it being official
Both the V&A website and Wiki are correct. Wiki refers to the manuscript itself, whose pages were indeed made c. 1002 – 1012 AD. On our website we refer specifically to the ivory cover on the Pericopes' binding. This ivory carving is older (carved roughly in the mid-9th century) and was re-used to decorate the book - a practice of recycling of precious materials that we see often employed in this period. |
This allows the official version to squeak through though at the cost of claiming that sticking old ivory on new parchment is 'often employed'. If they say so. It didn't used to be so in the case of this one
It was repeatedly accepted without lasting reasons that the tablet came from the back cover of the Codex Aureus from St. Emmeram |
Love that 'lasting reasons'. As if there is any lasting reason to accept the current version! Codex Aureus's have long been a fave of ours. The Stockholm one got a write up in Forgeries on account of being twice (count 'em!) stolen by Vikings and having its giveaway cover handily removed by one lot or other. But that allowed a handy Anglo-Saxon dedication to be written in, which always increases the price and underscores the authenticity. Its probable true date (Low Countries, sixteenth century) can be gleaned from this
The manuscript remained at Canterbury until the 16th century when it travelled to Spain. In 1690 it was bought for the Swedish Royal Collection. |
There's also a Codex Aureus from Echternach but we've long given up dancing to their tune. As they have this year on account of the virus. Luxembourg's biggest tourist attraction too. Not to be confused with St Vitus Dance.
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